
Congratulations, Sarah and Brock.
Wedding photographers serving Harrisonburg, Charlottesville, Northern Virginia, Lexington, Richmond, Williamsburg, Washington DC.... blackbirdimages.com
We also will be contributing to an "Ask the Experts" column on OneWed, answering wedding photography questions from OneWed readers.


















(It also helps that, in this case, there are picnic tables at JMU's Arboretum for us to stand on.)
Occasionally we perform major surgery: turning ex-boyfriends into bushes, removing objects from the background, even putting people in a photo who weren't originally there.
The lighting is a little different, but you can easily see where some shaping/sculpting has been performed.
Now check out this image of Beyonce. It's a striking image... which may distract you from the fact there's no way her hands could be in that position. Check out her right shoulder; the only way to push your shoulder forward like that is to angle your arm backwards at the same time. (Try it.) Yet somehow her right hand has managed to sneak all the way back around to hold the perfume bottle.
Along the same lines is the Spiderman 2 poster. While artistic license is definitely assumed for movie posters, it's still hard to imagine how Kirsten Dunst's arm is long enough to reach under and then up to Spidey's shoulder, especially the way her upper arm is angled.
Does it really matter? Nope - without her hand on his shoulder, the poster loses a lot of its emotional effect. While she's clearly hanging on, showing her hand with her fingers spread also implies an intimacy and a sense of caring... so while this pose is anatomically impossible, you could also argue it's necessary for the poster to be successful.
What does all this have to do with wedding photography? Maybe not much... but maybe a lot. Imagine you're, say, Jessica Alba. You're undeniably beautiful, yet when you pick up a magazine and see how much retouching the editors felt needed to be done to your images, how good can that feel? Clearly the implication is you're good... but not nearly good enough.
Why? It's not stylized or photoshopped or meticulously posed; instead it's clean, simple, clearly evokes a time and a place... and captures both Shelley's warmth and her sense of playfulness. 







