And congratulations to wedding planner Lynn Ianizzi of Finer Points, and the staff at the Joshua Wilton, for putting on an outstanding event. And to DJ Danny Craig for keeping the dance floor full for nearly three hours. (Never an easy feat.)


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(It also helps that, in this case, there are picnic tables at JMU's Arboretum for us to stand on.)
Occasionally we perform major surgery: turning ex-boyfriends into bushes, removing objects from the background, even putting people in a photo who weren't originally there.
The lighting is a little different, but you can easily see where some shaping/sculpting has been performed.
Now check out this image of Beyonce. It's a striking image... which may distract you from the fact there's no way her hands could be in that position. Check out her right shoulder; the only way to push your shoulder forward like that is to angle your arm backwards at the same time. (Try it.) Yet somehow her right hand has managed to sneak all the way back around to hold the perfume bottle.
Along the same lines is the Spiderman 2 poster. While artistic license is definitely assumed for movie posters, it's still hard to imagine how Kirsten Dunst's arm is long enough to reach under and then up to Spidey's shoulder, especially the way her upper arm is angled.
Does it really matter? Nope - without her hand on his shoulder, the poster loses a lot of its emotional effect. While she's clearly hanging on, showing her hand with her fingers spread also implies an intimacy and a sense of caring... so while this pose is anatomically impossible, you could also argue it's necessary for the poster to be successful.
What does all this have to do with wedding photography? Maybe not much... but maybe a lot. Imagine you're, say, Jessica Alba. You're undeniably beautiful, yet when you pick up a magazine and see how much retouching the editors felt needed to be done to your images, how good can that feel? Clearly the implication is you're good... but not nearly good enough.
Why? It's not stylized or photoshopped or meticulously posed; instead it's clean, simple, clearly evokes a time and a place... and captures both Shelley's warmth and her sense of playfulness. 









So far so good, but then the guys decided they'd like to go inside for a photo where they used to live. What you can see below are the guys on the second floor balcony. What you don't see are the disapproving stares and muttered conversations of cadets who are not at all happy that visitors are inside the barracks. (According to one of the parents, they had only been inside twice during their son's four years at the school on official visiting days.)
I guess it helps to have seven alumni along, including Marine, Navy, and Army officers, if you're going to break a regulation or two.
The walk back down the aisle is interrupted by the saber arch, a military wedding tradition. (And kudos to the cadets in the honor party; they stood at attention for well over an hour before the service even started.)
The couple aren't allowed to pass until a kiss is exchanged; it's a very cute moment.
We decided to extend the saber arch tradition in honor of the groom's gift to his new bride; here they are in front of the new BMW he surprised her with while we were taking post-ceremony photos.
The cadets are incredibly professional, for want of a better word: They're dignified, reserved, respectful... very impressive. Their demeanor makes them seem older than their years. But right after we took this photo, one of the cadets asked me if we needed them for anything else.
We said we didn't, and thanked them for their help. He then whispered, "What's the deal with the car, anyway?" We told him it was a gift, and he softly said, "Sweeeet..." It was a very cute moment and a reminder that, inside the uniform and the discipline, the cadets are still just kids.
Congratulations to Jennifer and Parker!

The train station is a perfect spot - lots of different looks and basically deserted much of the time. And right across the street is a quaint little street... we couldn't resist taking advantage of the red door.



